![]() ![]() It is best suitable for someone at an intermediate level although students just finishing the GK101 have found great success with it. Keep these types of ideas in mind when playing “6-2-5-1” or any other progressions for that matter!Ĭlick here for more Gospel Chord GospelKeys 202 is all about contemporary worship. For example, the first “6” chord above led to a stronger “6” chord, which ultimately led us to our “2” chord. The first chord of each scale tone was usually more subtle but the second chord of the two would always push us towards the next chord. Notice how many chords I used in the above “6-2-5-1” progression. I actually like to play multiple chords on the “6.” Here are some examples below. “1”Īlso, keep in mind that just because the progressions says “6-2-5-1” doesn’t mean you must only play one chord on the “6,” one chord on the “2,” and so on… ![]() The following examples will be in the key of Db major: A ” / ” slash means that the note to the right will be played on the bass (left hand). I will start each progression with the “1” chord just so that you get a sense of what major key the chord progressions start and end on. ![]() The following chart will list my favorite “6-2-5-1” progressions. If you haven’t read January and February’s newsletter, scroll above to get the link to the newsletter archives, where you can view all newsletters. Click here for more Gospel Chord Progressionsīy now, I doubt I need to go over the individual scale tones and corresponding chords, as we’ve covered these basic fundamentals in the last two month’s of lessons. ![]()
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